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The “Noxious Weeds” exhibition invites visitors to see weeds through a new lens. While we humans strive for order and tidiness, weeds represent the ultimate form of natural anarchy and rebellion. Weeds emerge where we least expect—or want—them, bringing chaos back to places where we have created order. Roeland Rooijakkers argues that we should learn to appreciate these plants. “A ‘weed’ is nothing more than a label we assign to plants that we don’t like,” says Rooijakkers. Although this disapproval is sometimes justified with invasive species, it often happens because they don’t fit our idea of ‘manicured greenery.’ Native wild plants, which bloom between paving stones or in verges, are often harshly removed, even though this wild growth significantly contributes to a healthy environment for insects, animals, and ultimately, for us humans.

 

The exhibition showcases the work of four artists: Sarah Fokke, Jessica van Egmond, Lieve van den Bijgaart, and Carmen van Beem. Each of them offers a unique perspective on the relationship between humans, weeds, and the wilder side of existence. Visitors can explore their impressive works while wandering through the locations of the BUT Film Festival.

 

“Noxious Weeds” is a visual exploration of the theme of the BUT Film Festival 2024: “Rebel Hell! On Anarchy, Rebellion, and Revolution.” KOP and the BUT Film Festival collaborate annually to curate an art program that aligns with the festival’s theme. This year, Roeland Rooijakkers had the opportunity to curate an exhibition, guided by KOP, that engages with these rebellious themes.

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Photo credits: Linsey Kuijpers

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